Ear Trumpet Labs create refined, handmade artisanal microphones one at a time in their Portland, Oregon workshop. As used by artists such as Milk Carton Kids, Jerry Douglas and Josh Rouse, the Edwina condensor microphone has become known as one of the ultimate microphones for acoustic and ensemble recording and performance. It especially shines for for acoustic instruments, which is why Acoustic Centre uses the Edwina for all of our video demos!
Edwina has the look of Captain Nemo’s control room and the smooth, detailed sound of the finest vocal mics. She has a large diaphragm cardioid condenser capsule mounted in a moderate sized retro-industrial head basket made from plumbing flanges and stainless steel bolts, which is suspended in a pivoting bracket for maximum positioning flexibility. This means she can work as an upright, side-address lollipop style, or as an end-address, with a simple twist of the pivot. She strikes the perfect balance on stage with her distinctive but not dominating looks. A great-sounding mic for stage or studio; vocals, overheads, room, acoustic instruments or electric cabinets.
-
Hand made microphone with unique appearance.
-
Large (26mm) diaphragm condenser capsule mounted in a pivoting bracket, with a cardioid pickup pattern.
-
Capsule and electronics tuned for close live vocal use on the loudest of stages – excellent feedback rejection.
-
Side or end address, using pivot.
-
Internal shock dampers for minimal handling noise.
-
Integral silk and mesh pop filter, for effective control of plosives without loss of clarity.
-
Transformerless FET fully balanced electronics – very quiet and clean.
-
Highest quality hand-wired electronic components – film caps, precision resistors, hand tested and matched transistors, with component values tuned for the individual circuit.
-
Body fits standard microphone clips.
-
Dimensions: 8 3/4″ x 4″ x 1 3/4″; head is 3″ in diameter.
-
Metal tool case with foam padding included, 11″ x 6″ x 3″.